33.1 | Simon Oxholm Roy and Jeff Diamanti

The Bifurcation of Amsterdam’s Terminals and Tourists: Urgenda and Beyond

This essay provides a visual and historical analysis of Amsterdam City and the terminal landscape of Westpoort in order to detail the aesthetic, discursive, and material entanglements of global logistics to the cultural imaginary of Amsterdam. By taking the recent victory of Stichting Urgenda over the interests of Dutch Petrocapital as a starting point, the essay suggests that while polity is beginning to shape environmental policy, the Port of Amsterdam continues to expand finance fueled fossil futures unabated. To explain why, archival and creative research generation is used to compare the Port of Amsterdam’s visual regime of energy storage and circulation in Westpoort to Amsterdam City’s post-industrial aesthetics.